NUDE DESCENDING AN EMPIRE

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excerpts
interview at the Best American Poetry Blog.   
Press:
​LA Review of Books
Poetry International
​PBS NewsHour

Pitt Poetry Series, Fall 2014

Nude Descending an Empire develops the lyrical voice of a citizen-poet engaged with history and our contemporary moment, especially its ecological urgency.  

Praise

"Sam Taylor’s Nude Descending an Empire is a book that has large ambitions—and overwhelmingly succeeds at all of them. The voice here works at so many dimensions: spiritual, political, erotic, sensually worldly and quietly lyrical—and probably a dozen more! Few poets are able to write well in just one or two of these realms. That Taylor can do so much—he marries Frank O’Hara and Merwin, Whitman and Dante, your latest local radio report and science fiction!—is amazing in and of itself. And, then, when you take a breath and sit down hard reading this book, his gift at incantatory syntax takes this amazement to a wholly different level—you stand up, you read these poems aloud. I love the many lives of this book: his life as Sioux, Jew, a Christian peasant, and many others. I love how he curses and praises and sexes in the same poem, often in the same moment. Sam Taylor is a poet to reckon with, a poet to live with, a poet to marvel at. This is a wonderful book."
                     —Ilya Kaminsky

"Once in a while a book appears that seems forged from the truth. This is one. The poems entirely bypass the Adventures of Self so common in contemporary poetry. They take head-on the end of nature, for one thing, and the significance of human life in a world changing so perilously fast that it’s barely recognizable from one moment to the next. In order to do this, a poet must forego all kinds of vanities and impersonations and write unlovely language in a voice that is itself a musical instrument. More than a few poems made me wish I’d written them.
                    —Chase Twichell

"Nude Descending an Empire is a stunning book, in all the varied shades of “stun.” The nude descending an empire enacts an apocalyptic prophecy where the earth’s inhabitants are scampering about barefoot and naked sheltering in the shades of the towers they had competed to build. But Sam Taylor is too astute a poet to only horrify us with the facts, with the impending damage. His voice is elegiac for all of us, for life on this planet, and his ironic sleights of hands point to the end of irony, apathy, or whatever we call the unconscionable ways that have sustained our consumption and violence. Indeed, the poet implicates himself first with wrenching and moving self-indictments, but when it comes to reciting and composing the psalms of our age, Taylor is the one I want to lead us in prayer." 
                    —Khaled Mattawa

"Sam Taylor’s poems make me shudder at the horror and pleasure of this world. In the face of the American imperial project, the poems sing every song imaginable – dirge, praise song, ecstatic chant. The antidote to despair, then, is more – more of the body, heart, more mystery, fear. “Don’t say impossible,” says the poet, and these hurting, gorgeous poems never do."
                   —Sarah Browning, Director of Split This Rock